Galeria Ze dos Bois, Lisboa
Zaïmph is the solo project of artist, musician and performer Marcia Bassett. Zaïmph’s recordings and performances shimmer with a dense, dissonant and often unsettling electronic aura, shot through with flashes of meditative beauty. Her preferred sonic toolkit includes prepared guitar, keyboard, cracked drum machines, custom-built noise/drone boxes, processed environmental sounds and tabletop effects.

Bassett’s releases have appeared on a variety of underground labels including Hospital Productions, Utech Records, Volcanic Tongue and No Fun. Although Bassett has released a number of recordings on her now-retired Heavy Blossom imprint, she continues to showcase Zaïmph and other aesthetically allied projects on Yew, a label she founded in 2012.

As a co-founder of Philadelphia’s shambolic psychonauts un, tectonic drone pioneers Double Leopards, and the psych-folk drone trio GHQ, Bassett is deeply entwined with the American noise underground, and has mapped regions still only dimly understood by subsequent sonic travelers. From 2003-2008, Bassett joined Matthew Bower in Hototogisu, where her mastery of cacophonous eardrum shred achieved monolithic proportions.

In addition to her solo project Zaïmph, Bassett collaborates with a wide spectrum of musicians including Samara Lubelski, Barry Weisblat, Andrew Lafkas, and Helga Fassonaki.

“…two side long trips of perfect, organic rainbow moves, from Heldon-esque squirrel runs to percussive throw-downs.” – Byron Coley & Thurston Moore, Arthur Magazine.

“[Double Leopards] founder Marcia Bassett has continued to release infrequent yet superb recordings under her solo alias Zaimph, with these particular collections stripping away the density that came with the Leopards’ collaborative barrage into something balancing that project’s crunching cacophony with a more explicit, singular minimalism.” – Paul Haney, Tiny Mix Tapes.

“It would be tough to write a history of the last two decades in underground music without including Marcia Bassett … and any angle would have to include Zaïmph, Bassett’s solo project. Through small-run releases on numerous labels including her own, Heavy Blossom), Zaïmph has carved out a unique take on decaying feedback, assaultive fuzz, echoey ambience, and abstract expression.” – Marc Masters, Pitchfork, The Out Door

“…blasting a hole through the flimsy wall that separates ‘dark psychedelic’ and ‘free drone-rock’.” – Dan Warburton, Paris Transatlantic

“Grim tales… coalesce into a leaden curtain of narcotic minimalism.” – Jim Haynes, The Wire